Editorial Choices

As always I’m working on a couple of my own writing projects. At the same time my wife and I have been working on some editing projects to help a couple of other writers. This has all gotten me thinking about the choices I can make and actions I can take as an editor…

You can’t dictate everything…

You can’t. Ultimately the individual piece is the author’s piece. You can help shape that piece. You can help refine that piece. You can help the author make it better. But, what you can’t do, is take it away from the author completely (obviously we’re not talking about the whole copy right/rights to the characters can of worms (we can talk about that another day but not right now…)).

In a lot of ways being an editor is to be an assistant. In a lot of ways being an editor is like being a teacher. You are guiding and supporting an author in the process of creating a work. You can put in a lot of work, and you should be rewarded for it. But the person who had the idea and did the writing needs her/his own reward as well (it was his or her baby!).

In this side of things you can advise, but you can’t dictate. You are helping the writer to create and improve a piece of writing that ultimately belongs to its author. If you try to take it away then you’re going to have issues (we’re back to that copy right thing again…).

There are choices you can make.

If your author comes seeking advice, or asks for your input, you can certainly give both.

If your author asks “should I do ‘A’ or ‘B’?” It’s kind of your job as an editor to give the best answer you can.

You can choose what advice to give. You can choose how to give it (actually it’s often a good idea to discuss and even negotiate what kind of advice your giving and how BEFORE you start working together).

You can choose to say “one or both of us need to think on this some more”, or even “Let’s bring someone else in on this”.  There are good reasons for making these choices actually. Some things need more thought and planning. Sometimes you really do need to hand things off to, or enlist the aid of, someone else.

What’s an example of that last one? Here are a few…

My author client wants support in telling a good story. I can do that!

My author wants advice on how to present statistics in a piece. I can do that (I’ve tutored doctoral students in stats and written scientific papers…)

My author wants advice on how best to portray a bisexual Latina living on the U.S. Mexico border. Umm… Let me call in a friend from back when I was at San Diego State. In this case it’s not that I’m unwilling, it’s just that I happen to know someone with a much better skill set for that particular need.

An author (I won’t call this one mine…) contacts me to work on a piece entitled “ALL WHITE MEN ARE RACISIT SEXIST HOMOPHOBIC BIGOTS AND SHOULD BE SHOT OFF INTO THE SUN!!!!!!!”. This time I’m actually going to decline to work on the piece. I can sense right off the bat that there will be some problems in working on this one and I’m not the right person to work with this author (if nothing else the fact that the presented title is in all caps is a bit of a red flag…).

There are choices you can and should make…

Even though I come from the school that says “don’t take the piece from the author”, there are choices you can and should make.

You can, and should, make choices about who you work with. If you can see that the author in question is going to be a headache (or from the author side if you can see the editor is going to be a headache); then why would you choose to work with that person. If there’s not a compelling reason, then you might want to seek another partnership. And money alone isn’t compelling enough (for me at least!)

You can make choices about how you work with the person. One of the concepts we learn about in the seven habits of highly effective people is the idea of the win-win scenario. It might be a good idea to find ways to make your author/editor interactions win-win (from either position why are you going into this if you’re expecting to lose?).

And then there are some bigger ‘special case’ decisions…

So far most of what I’ve said has had to do with helping an author with a piece; you’re part of a team working to create something and make it the best that it can be. But, there is another hat that editors occasionally wear; being an editor you occasionally also serve in the role of publisher.

As an editor (and chief editor at that!) I try not to take my authors projects away from them. I’m not going to demand that they change the main character from a male to a female and species reassign the sidekick to be a bottle nosed dolphin. But at the same time if I’m going to be the one to publish the work, that does give me more of a say. The author can choose to write what he or she wants, but just because somebody wrote it doesn’t mean I have to publish it!

The difference is that when one steps from the role of editor to the roll of publisher one is transitioning from helping someone else to tell her/his story to actually using one’s own resources to put that story out to the world. Now that we’re talking about publishing I’m in a place where it is my name and reputation on the line as well.

What you write says something about you. What I publish says something about me.

(That’s why “ALL WHITE MEN ARE RACISIT SEXIST HOMOPHOBIC BIGOTS AND SHOULD BE SHOT OFF INTO THE SUN!!!!!!!” ain’t getting published at my company. It’s a message I don’t agree with and I’m not going to be forced to put my name on it. But, if the author feels like going somewhere else to publish it and that person/group chooses to publish it, then the fall out is their problem…)

I’m not for taking away anyone’s free speech (that would negatively impact my business), but at the same time I don’t have to give up my free speech by allowing people to use my company to say things that I can’t ethically agree with.

Summing it all up…

So there it is dear reader… Editors shouldn’t try to take away a writer’s work, or mutilate it in ways the author doesn’t agree with. But, at the same time, it is kind of the editor’s job to do his or her level best to help the projects he/she chooses to pick up become truly excellent.

Editors and writers can and should choose partners/coworkers that they can actually work with in an amicable way. And both need to work together to make the piece really good.

No matter what else happens, no one in the relationship: writer, editor, or publisher really has the right to force someone else to say something she/he/whatever else doesn’t agree with.

So that’s it for this one dear reader. Choose people to work with who will actually help the work to go forward, and don’t try to bully folks just because you don’t agree. And of course…

See you next post!

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Invitation to play!

Well dear reader we’re at one of those ‘fun’ points in the universe. And this time it really is going to be fun.

Within the last week or two I’ve finished a major editing pass on my second novel (it’s out for other people to chew on as we speak…); I’m finding myself in a new and exciting world of equipment maintenance (Yes I can actually replace a hard drive… But now I have this weird little nylon buffer that sort of decided to be a three piece set…), and I’ve been asked to be an assistant den leader for the local Cub scout pack. It is a time of finishing old projects and picking up new ones (including a few projects I’ve tabled for one reason or another).

One of the projects I’m starting on is a book about making your own ‘beach’ glass and using it in art projects. And…I’m asking you to join me!

Here’s the plan… I’m writing most of the book and making a bunch of cool glass in the process. What I’m asking you to do is accept some of the glass and try making something with it. The glass and the something are yours to keep, all I’m asking in return are a few pictures and answers to a couple of easy questions.

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Basically the last chapter of the book is a show and tell chapter where the stuff you make can be showcased and some of your thoughts and experiences can be expressed (naturally you get credit for all of your creations!).

This is the offer dear reader, you get some pretties, the chance to play, and the chance to show off what you made. I get to finish my book and the opportunity to share some of the goodies piling up in my workshop.

As far as kinds of projects…I’m open to anything: Jewelry, mixed media art, painted glass, diorama/miniature stuff, or anything else you want to try using some of this glass with. It’s all on the table dear reader.

If you’re interested, if you like playing with stuff and want some pretties to play with, contact me at Forevermountainpub@gmail.com and we’ll go over the specifics.

Play is a good thing dear reader, and I’m offering you a chance to join in my play.

If you want to play shoot me an email. Either way I’m going to have some fun! And, I’ll see you next post.

Recreating the beach?

Long time readers of this blog know that I have also started a You Tube channel to support some of my writing. Well, I’m back at it with some new videos and as much as I hate to admit it I’m finding myself reopening the can of worms known as craft writing.

At the time of this writing I have also just released my first new video of the year, one talking about making your own ‘beach’ glass. It’s something that’s gotten a bit of a response on my channel and so I’m finding that I need to do some of the other projects I’d considered in the area. (Check out the video… and maybe a few of the others on my channel… Seeing this stuff explains what I’m doing over there better than I’m going to do it in this post…)

This isn’t a long post dear reader, but the take home is heartfelt. Sometimes the way forward is to move forward into new things. Sometimes the way forward is to go back and revisit the things you’ve done before. In any case the thing is to move forward.

So, we’re back to making stuff and back to doing videos. And you can expect to hear more about it in the future dear reader.

See you next week.

NANOWRIMO I’m in!

I’ve gone back and forth on doing NANOWRIMO this year. For a while I told myself “I’ve already ‘won’ twice, so why do it again? I’ve got other things to do.” But recently I find I have at least 50,000 words to go on the story I’m working on, so why not (that’s new words not counting what I’ve done so far…). I also have a friend that hasn’t done NANOWRIMO that wants to try, so I’m wanting to do it to support a new writer in the process.

I thought about all this aannndddd realized I really want to do NANOWRIMO this year. It’s hard work (and you do have to treat it as work if you want to win), but in some ways it’s a vacation for me. When I do NANORIMO I clear my schedule for the month. That means work wise it’s just me and the story. I don’t have to worry about other things. So, it’s hard work, but very liberating.

I’ve talked about some of my other thought on National Novel Writing Month here and here on my other blog, and I stand by what I said there.

I also invite and encourage others who want to write a novel to dive in and join us. Writing can be a good thing (and if you want to be an author it’s a mandatory thing…).

That’s it for this one dear reader. I’m taking the next month off for NANO, so see you in December.

“Common Sense”

This week I’m in the process of researching a nonfiction book; one that has some big ideas I it that I’m currently working on how to relate. It’s funny how when I do things like this I find seemingly unrelated stuff that is really significant…

We talk about the ‘five senses’ (though there are actually more) and we talk about ‘common sense’. Would you believe these ideas actually come from the same source?

And, common sense was the actual original sixth sense.

The ‘five senses’ come from the writings of Aristotle who discussed the senses of sight, hearing, smell, touch and taste as how we explore the world around us. He also talked about the common sense.

Aristotle’s common sense was an internal thing, a thing of the mind. Instead of the nebulous ‘don’t be stupid’ sense that is thought of today Aristotle’s common sense was (and is) a coordinating and interpreting function. The ‘common’ sense was that internal system that coordinated the data we got from our five external senses into something useful and meaningful. In Aristotle’s thinking (and mine) a lack of common sense meant not using the data you have in front of you.

If anything, the ‘common’ sense is more important now than it ever has been. Modern folk are bombarded with more information than at any time in history. We need to learn to evaluate, coordinate, and utilize that information correctly.

‘Common sense’ is truly the vital sense of the twenty first century.

Of course you and I both know that it is not that simple dear reader. ‘Common sense’ is a learned skill. Actually it is a learned skill set. What that means is that we are not automatically experts at using common sense. We are born with legs but have to learn to walk. The same logic applies.

The good news is that we can learn and improve in our skills. It is not always easy, but when we put forth the effort we will improve over time. If we consciously work on our skills for evaluating and using information we will actually get better at it faster.

I’m not trying to tell you everything about common sense today dear reader (this is a blog post not a book). For now know that we all have the capacity for common sense. We all have the need for common sense. And, we all have to accept that common sense comes to us “some assembly required”.

See you next week…

When it happens it happens…

It’s a short and sweet one today because a lot of things are starting to move very fast on a couple of book projects. On the other hand… I decided to push off the post I’d planned on doing today because some of what’s going on is really exciting (to me at least…).

Some days you can’t see that far ahead…

This week I’m seriously started on Jamie’s Sacrifice, the third book in a series that started with Johnson Farm. I got chapter one written last week (at the dreaded reunion…), but that was as far as I got. So, I started this week with a hand written chapter one to transcribe, and no idea how to get to the events I knew were happening at the end of act one (apparently three act structure is a thing for this book…). I also had a ton of stuff that had piled up on my desk while we were gone (still digging out actually…).

Monday: I got the prologue and the first part of chapter one transcribed, but still no idea what came next.

Tuesday: I got the rest of chapter one transcribed and still had no idea what to do next.

Wednesday: I figured out what should be in chapters two and chapter three, but didn’t actually get to write much of it. I got about three hand written pages and conked out again because I wasn’t sure how to attack the next section.

This kind of thing can be quite disheartening. I know of more than one project that has failed at this point because the artist/writer/creator allowed him/her self to become invested in not knowing how to move forward. Things get depressing. You want to stop. But, you can’t let yourself do that.

Some days you can…

Thursday came and I transcribed the first part of chapter two. Almost immediately it became clear what needed to happen in the next section! I ‘pencil whipped’ nine pages in a burst of activity that persuaded more than one customer at my hangout of the day that interrupting the ‘mad genius’ was a bad idea…

Friday (today) started with basic (non-writing) ‘get it done’ stuff. Then, while watering the roses, I realized that not only did I know what to do with chapter three, but chapter four followed pretty logically.

By the time I could put things down and do something about my ideas I knew what had to happen in chapter five.

By the time I got inside and finished writing myself a note I knew what was happening in chapter six.

Between finishing that note and actually getting into the shower I knew what I had to do for chapter seven.

By the time I was out of the shower I had worked out chapter eight and had a pretty good idea about what was happening in chapter nine.

At this point I realized I had caught up to the end of the first act stuff that I’d already planned. And that I really needed to get all of this formally written before I tried to push further…

We all do have hard days and hard times on the projects we work on. Actually I have to ask… “If they didn’t challenge us occasionally would they really be worth doing?” I am not going to say “buck up and get going” because that’s both insensitive and stupid (it overlooks people’s reality and situation. It’s an attempt to get people going while not really paying attention to what’s going on). But, I will say that if what you’re working on is really important to you and one of those down points hits. Don’t give up! Hold on to the project. Hold on to what you want to achieve and keep trying to find that next step forward. If the project is worthy and you are willing to keep trying, the answers will come and you will be able to move forward.

The universe is a really big place dear reader. The answers are out there and they will come in their own time.

Until then, good luck and I’ll see you next post!

Would You Believe It Isn’t the Money (Why We Do This part 4)

Last Friday (a week before this post went live) I did a book signing thing with the cover artist for my novel Johnson Farm. The next day I got to hand deliver a copy to another beautiful and intelligent young woman who just happened to have been one of my most important helpers in this process. She was the first teen to read the manuscript (kind of important for a YA novel…). Both of these experiences are ones I treasure. Both of these experiences reminded me that there is a lot more than dollars and cents involved in being an author.

Before anyone accuses me of making excuses because my book isn’t selling… I’m not.

A first novel (like Johnson Farm) usually isn’t a big cash machine and I know that. Also, Johnson Farm has outsold my previous book already… Literally it brought in more in the first month than my first book brought in in its first year (and I’m not expecting sales for Johnson Farm to really take off until the second or third book is released). I’m not being bitter about money. I’m just saying that there are other rewards that are more important.

Non-monetary rewards…

Both of the young women I mentioned were excited to be part of something. They got to do something, achieve something that they hadn’t done before. Both got to be on the inside. Both received a tangible artifact that demonstrated that someone valued them for their talents and abilities.

And me? My reward? You could hear it in their voices. I touched their lives. I gave them something more than just paper with words printed on it. I honestly feel like I made their lives better, at least a little bit.

Actually there is no practical empirical measure of how much of an effect even a small nudge toward the good can have. A single pebble, a single sound, can start an avalanche that seems vastly out of proportion to the energy put in to start it.

If you choose to create (write, draw, paint, sculpt, whatever), or just in living your life; if your only purpose is money, yours is going to be a sad and shallow life. There are greater things out there.

In the scripture my religion holds sacred it is said: And if it so be that you should labor all your days in crying repentance unto this people, and bring, save it be one soul unto me, how great shall be your joy with him in the kingdom of my Father!

It’s not about huge numbers, it is about the one.

What I will say to you dear reader is: If you choose to create, if you choose to build or make something that helps others access and understand the beauty, greatness, and power within them, then you are a force for good in the universe. And that has its reward’s dear reader, rewards that you will not understand until you see them. And even then you might not understand the true measure of what you have done.

That’s it for this one dear reader. Go, do, create, and be a force for good. See you next post.